Cristina Labo (NiZNAiU`) www.niznaiu.com
Cristina is a visual artist living and working in Cluj-Napoca, Romania, mainly focused on using art to enhance communication between people. Practicing art both as performance and as service, most of her activity consists of graphic recording, visual facilitation and illustration, using drawing as a tool to get messages across. With a degree in visual arts and experience as a trainer, she also develops and implementscreative exercises for therapy groups.
Rui Leitão
Rui was born in 1979. Graduated in Anthropology in 2004, from Fernando Pessoa University, where he defended the monograph “Theatrical Anthropology – An Anthropological Study on the Art of Representation”. He is co-founder and artistic director of Fértil Associação Cultural since 2010, where he currently works. He was the author and director of several Fértil plays. His shows stand out for the relationship between anthropology and the creative process. He is responsible for Fértil’s community projects, not only as an artist, but above all in managing and liaising with communities. He has worked as a researcher at the Centre for Applied Anthropology of Fernando Pessoa University on projects related to ethnography, rural world, and legends.
Illustration by Lucian Barbu
Made after the September AnthroArt Bootcamp, the illustration is meant to depict my team’s journey into fast ethnography. Our focus for the research was exploring the language barriers that migrant working mothers may face when confronted with rigid and inaccessible information in their everyday lives, in their new country of settlement. Throughout our research we’ve uncovered a hidden, deeper problem, the yearning that migrant mothers have to connect with local mothers and form bonds that complement their children’s bonds with friends from school/kindergarten. Many many thanks to my teammates: Beatrice Mosseri and Marta Lemos for their support, and to Rosalie and Corina for their guidance.
Lucian Barbu
Lucian Barbu explores artistic themes related to dreaming, our collective childhood, coming of age and processing trauma through visual storytelling in the form of comics and drawings. He collaborated with several romanian magazines, such as Gen, revistă, POC! and Decât o Revistă. Aside from his editorial work, he is focusing on creating artworks and independent publications that surpass formal conventions. He is part of the ArtiViStory Collective and is currently an artist in residence at Balamuc’s Make a Wish Residency, as part of the Art Encounters Bienalle in Timișoara.
Illustrations by Kseniia Gorshkova
By People with People for People – Team Work on Inclusion – essay by Elena Lefter
After 2 weeks of `fast cooking` in a virtual laboratory of digital AnthroArt bootcamp, I questioned myself about what happened during this experience, how I was at the beginning, what happened there and how was I at the end?
I started the journey with hope and the personal objectives to enjoy this experience, working in an international team, with anthropologists and aspiring anthropologists like me. I wanted to see how it goes. After 2 years of reading theories in anthropology and only some limited fieldwork, I felt I was more and more apart from the street’s reality and somehow, I thought, maybe, applied anthropology will remake this connection.
The beginning of the bootcamp was full of emotions, we had the freedom to choose our team’s name. I ended up in a team of four anthropologists, two from Romania, one from Portugal and one from Holland, based in Tanzania. We had just met and knew nothing about each other. We spoke 3 different languages and we tried to communicate in English. We had different backgrounds, different current jobs, and work availabilities. However we were lucky, all four stayed until the end of the event.
First thing we had to do as a team was to choose a research question on the Social Inclusion theme. Under time pressure we started to share our thoughts and from the multitude of words we choose we chose the one that best suited us. The question checked some criteria: it had to be relevant for all of us and we had to be able to do fieldwork related to it. Considering that we all had international experiences coming from different countries, we choose Linguistic diversity. Our research question was: How does HR make sure they can value future employees for their qualities and look beyond the (native) language skills? The question was changed a few times during the workshop until it ended up in this shape.
One part of the team works or worked previously in the HR field or had connections with HR, the other part adapted to the fieldwork. We conducted interviews with people who were Candidates in the past for a job in an international team, Recruiters part of the same experience, and Hiring Managers. The interviews took place in Romania, Portugal, and Tanzania. Unfortunately, the short time for fieldwork made this phase very challenging. However, we managed to have eight interviews. Somehow the time pressure kept us focused and reminded us of what we need to achieve at the end of each stage.
The data analysis was again done under a lot of pressure, as the results of the interviews were not quite what we expected in the beginning. Considering the premise that there is an acceptance issue and bias related to people with a non-native English language accent, we found out that this aspect can have many consequences. From then on, identifying the problem was very difficult and even now when I write this, I’m tempted to go back and have further considerations and reflections on the subject. We tried as much as possible to identify a real problem and avoided to fall under the trap of misconception. The recurring questions like How might we…? even if they were far away from the problem and even from the solution, they were the starting point of narrowing the scope of the work.
The Design Day was a time to generate ideas without labelling them. In the first part we brainstormed leaving room for questions such as: How might we…? breaking the big research question into small questions. Then we organized them based on the impact and level of difficulty criteria. All these steps continued to narrow the scope of the research leading us to questions that were more concrete and with potential to make an impact. We also investigated what would happen if we would not intervene, what would the consequences be. Question-answer and back to the previous phase for changes, this cycle repeated few times. At the end of the design phase, we concluded with the question How might we create a workspace culture where diversity in language capabilities are appreciated? and as solution we proposed a Languages Festival Celebrating the Diversity.
For the prototype testing we went back to our previous interviewers with the proposed solution including also details of the festival, the target group, and our desired impact. We also extended the testing including people in decision making positions in the corporate environment who can influence such a decision of implementing the solution. We incorporated their feedback and prepared the materials for the next phase.
After preparing the presentation we rehearsed it, incorporated the feedback and then the pitch concluded the bootcamp experience.
The applied anthropology methodology phases are all important and so is their succession and the coordination of the team. For me the most important part was to identify the real problem and understanding that it is worth going back to this point as much as needed. Otherwise, the design can become a fantasmagoria.
I had previous experience with the rigours of the research, but to be under this kind of time pressure was completely new for me: to understand, to have new ideas, to create space for others to express their views and at the time not to forget the research question in a such a short period of time – this was a new challenge.
Sometimes I felt I have lost the meaning of the discussions, my colleagues also looked confused. Few times we lost the main road and the main topic, but we recovered or somebody was there to help us. At the end of the day, we had some results which looked like intermediate work. The constant pressure was the engine, and the work collaboration was the catalyst. Sometimes I wondered Do I know what am I doing? Somehow due to the force of the team we kept ourselves standing, like a sports team, when one is hurt or takes a break to drink water, the ball keeps running and always there is someone there to take it and move it further.
The 2 weeks experience of the bootcamp is unique. The process itself, behind the result of the research and collaboration is precious for me: from the vulnerability of the beginning, the attempt of understanding the methodology in short time, the confusion of the field work, the darkness of the design when we had to create something in a short time, the testing of the solution and preparations for the pitch. I cannot say that I know how to run an applied anthropology project by myself tomorrow, but what I know for sure that it is the power of teamwork and collaboration among people which was – and remains – a real force.
Comic strip by Maria Simina Dimancea
Maria Simina Dimancea works as a freelancer, collaborating with editors and film directors to bring artistic visions to life, whether it involves an illustration for a magazine or the visual development of an animated film. Her personal approach and artistic sensitivity are reflected in her ability to translate light and the drama of shadows into everyday subjects. She graduated from the Faculty of Fine Arts at the National University of Fine Arts in Bucharest, majoring in graphic arts, and later pursued a master’s degree in Animated Film Direction at UNATC. Currently, she collaborates with various publications, both Romanian and international.